Methodology of visual techniques in the cinematographic art of Kazakhstan in 1930-2020
Baimukhanova S. Belov V. Abdyzhadylkyzy Z. Abdyldayeva C. Baitanayev A.
2024Obercom
Observatorio
2024#18Issue 3118 - 133 pp.
Kazakhstans film industry, which dates back to the 1930s, has created various works that reflect the countrys culture, history, and sociopolitical situation, highlighting its rich past. Studying Kazakh cinematic legacy is essential for maintaining its important aspects, analysing filmmaking processes, and discovering practical applications of visual narrative. This research aimed to analyse the evolution of visual approaches in Kazakh cinema over different eras, examining how these techniques reflect cultural, social, and technological changes in Kazakhstan. The study employed several research methods, including analytical research, systematization, comparison, and generalization. Through these approaches, the researchers were able to examine the different periods in the development of Kazakh cinema. This examination provided insights into how Kazakh cinema evolved and developed across various historical stages. This study examined the image of the world reflected in the films Amangeldy(1938) directed by M. Levin, Racketeer(2007) by A. Satayev, and the film Paralympian(2023) by A. Bayrakimov. This study employed analytical research, systematization, comparison, and generalization methods. The research allowed for an examination of the developmental periods of Kazakh cinema, providing insight into its evolution across different stages. An analysis of visual techniques in Kazakh films revealed their unique characteristics and contributions to the countrys cultural heritage. The study also explored current trends in visual methodologies, particularly the use of digital technologies, which offer new possibilities for cinematographers. It emphasizes the importance of balancing these new trends with Kazakhstans cultural values and traditions. The findings on visual techniques in Kazakh cinema may prove valuable for contemporary cinematographers and students interested in this field.
Aesthetics , Artistic values , Cinematographer , Cinematographic codes , Creative approach , Cultural legacy , Director
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Department of Sound Engineering and Camera Art, Temirbek Zhurgenov Kazakh National Academy of Arts, Kazakhstan
Department of Press and Electronic Media, Al-Farabi Kazakh National University, Kazakhstan
Department of Languages, Almaty University of Power Engineering and Telecommunications, Kazakhstan
Department of Sound Engineering and Camera Art
Department of Press and Electronic Media
Department of Languages
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